From now on, it’s possible to watch The Ghosts, played in 2017 at Hellerau in Dresden.
In “The Ghosts”, Constanza Macras worked with Chinese acrobats and circus performers. It looks like these artists, who once won fame and fortune for their country with their bodily discipline, have been forgotten and “decommissioned” by Chinese society, even though many of them are still quite young. They recall the “hungry ghosts” – according to Chinese popular mythology, lost souls who have been forgotten by their descendants and lead a miserable existence in an intermediate world. For Macras these artists’ materially precarious, ghostly condition is a metaphor for life in contemporary China, with its contradictions, social injustice and power structures.
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